In the tradition of Nasa Histoires, 'Garras' is a sonata of sensation that leaves nothing to the imagination. The stage is set with a grand piano, its black and white keys a stark contrast to the warm, naked flesh of the performers. The music starts, a haunting melody that sets the tone for the debauchery to follow. Garras, the maestro of this symphony of sin, conducts his orchestra with a baton of flesh, his every movement a command, a demand for pleasure. The music builds, the performers respond, and the room fills with a cacophony of moans and cries, a symphony of sin that only Nasa Histoires could compose.